Showing posts with label Movie Scenes. Show all posts
Showing posts with label Movie Scenes. Show all posts
Thursday, March 4, 2010
Who Should Tuco Shoot?
A few days ago, I posted one of my favorite movie scenes from The Good, the Bad, and the Ugly. This scene is followed by another great movie moment, the 3-way "duel" between Tuco (Eli Wallach), Blondie (Clint Eastwood) and "Angel Eyes" (Lee Van Cleef). Strictly speaking, it is not a "Dual", but rather, a "Truel".
A few years ago, I wondered who would have the advantage in a 3-way gunfight and created some simple computer simulations to test the outcomes based on variables about the skill of the gunmen. Surprisingly, it appeared that the least skilled marksman might have the highest chance of survival. In the scenarios, I assumed that Blondie was nearly perfect, Angel Eyes was somewhat less perfect and Tuco was the least accurate shooter (we never really find out the relative ability of Tuco vs. Angel Eyes).
It turns out that I was not the only one interested in this scenario. Mathematician Martin Gardner had proposed it as a puzzle:
"Three men are in a pistol duel. Each man will shoot in turn. The three men are identified as A, B, and C. A is a poor shot, and hits only 50% of the time. B is an expert marksman, and always hits. C is a moderate shot, and hits 80% of the time. (In some variants of the problem, A's probability is 25% and C's is 50%; in practice this makes little difference as long as A's is lower than C's.)"
"The most common solution is that A should deliberately fire into the ground until one of the other two men is dead, then shoot at him.
The reasoning for this is as follows: B and C are greater threats to each other than A is to either of them, and thus rationally should target each other first. If B fires first, he will certainly kill C; if C fires first, he may kill B, and if he does not, B will certainly kill him. In the first "round" of the duel one of these two interactions will occur between B and C and it is not in A's interest to disrupt it. If A kills one of the men, the other man will target him, probably killing him; if A fires but does not kill either man, he makes no difference. After either of these interactions completes, it will become A's turn with A never having been targeted and having a chance to kill the one remaining man and win the duel, and this is the best possible position for him."
William Chen's paper provides a more detailed look at the possible outcomes.
The rules are a bit different for this analysis than the movie, since they have not drawn lots to determine shooting order, but the results and outcomes might work out the same way. Tuco knows that Blondie and Angel Eyes will probably shoot at each other, so his best strategy would be to hesitate and then shoot the survivor.
"Gentleman H is a crack shot, with a 100% record of fatal shots on target. Gentleman E is a moderate shot, with an 80% record of fatal shots on target. Gentleman F is the weakest shot, with only a 50% record of fatal shots on target."
"Fifty-fifty Jones (F), against his own best interests, will blaze away when able at the opponent he imagines to be most dangerous. Even so, he still has the best chance of survival, 44.722 per cent. Brown (E) and Smith (H) find their chances reversed. Eighty-twenty Brown’s chances are 31.111 per cent and sure-shot Smith comes in last with 24.167 per cent."
Getting back to the movie, [SPOILER ALERT].
The game was actually rigged since Blondie knew that Tuco's gun was unloaded. It appears that Tuco chose to shoot at Angel Eyes and probably assumed that Blondie would not kill him once Angel Eyes was eliminated. He may have also realized that turning his gun towards Blondie would have been futile because he was fast and accurate enough to kill both of them. By aiming at Angel Eyes, he hoped to re-establish a partnership.
For a Cold-War era scenario, see "Who Should China Nuke?".
A separate but relevant bit of research also suggests that in gun duels, the first person to draw might actually be at a disadvantage.
Monday, March 1, 2010
The Ecstasy Of Gold
I believe that this is one of the greatest scenes ever filmed. The directed by Sergio Leone, featuring Clint Eastwood (Blondie) and Eli Wallach (Tuco). Music by Ennio Morricone.
I knew that the scene was filmed in Spain, but recently discovered the actual location of "Sad Hill Cemetery" (created for the movie by several hundred Spanish soldiers) . There are photographs of location then and now here.
The location from Google Maps:
View Larger Map
Looking at the same location in Google Earth provides a ground-level 3D view that matches the movie scenes quite well.
Tuesday, January 12, 2010
Eee-mehr-gen-cee! Ev-lee-body to get from stleet!
One of my favorite Cold War movies - 1966's The Russians are Coming! The Russians are Coming!
A Soviet submarine draws too close to the New England coast when its captain wants to take a good look at America and runs aground on a sandbar near an island off Cape Cod. Rather than radio for help and risk an embarrassing international incident, the captain sends a nine-man landing party headed by the sub's second-in-command Lieutenant Rozanov (Alan Arkin) to search of a motor launch to help free the submarine. Soon, the citizens on the island are in a panic over the invasion.
For the ultimate in anti-matter viewing, try watching it as a double feature with 1984's "Red Dawn".
Sunday, January 3, 2010
Viva Knievel!
I caught this 1970's gem a few years ago on a local Spanish station (which somehow made it even more entertaining). The film also stars Gene Kelly, Lauren Hutton, Red Buttons, Leslie Nielsen, Cameron Mitchell, Frank Gifford and Dabney Coleman and was largely "Ghost Directed" by Irwin Allen.
From Wiki:
I don't think even El Santo could have pulled that off.
Daredevil motorcycle rider Evel Knievel stars as himself. The film opens with Knievel sneaking into an orphanage late at night to deliver presents: Evel Knievel action figures. One of the boys casts away his crutches, telling Knievel that if he could walk after his crashes, then he (the boy) can, too. Here is the amazing opening scene:
I don't think even El Santo could have pulled that off.
Later, drug lord Stanley Millard, (pre-Airplane Leslie Nielsen) plans to cause a fatal accident during a dangerous motorcycle jump in Mexico. He will then have Knievel's body transported back to America in an exact duplicate of the tour trailer, but one that has a massive supply of drugs hidden in the walls. Everything about this movie is just jaw-dropping.
Monday, November 9, 2009
Best Movie Monster
The "Id" monster from 1956's "Forbidden Planet" not only wins for being terrifying, but could pretty much kick any other monster stupid enough to piss it off. Being invisible and able to draw power from 9,200 fusion reactors really gives you an edge when you want to vaporize a starship or warn unwelcome suitors away from your daughter.
Friday, March 13, 2009
Tuesday, February 10, 2009
The 5,000 Fingers of Dr. T
Here are two scenes from 1953's "The 5,000 Fingers of Dr. T".
From Wiki:
It is best known for being the only feature film ever written by Theodor Seuss Geisel ("Dr. Seuss"), who was responsible for the story, screenplay, and lyrics.
The plot revolves around young Bart Collins, who lives with his widowed mother Heloise. The major blight on Bart's existence is the hated piano lessons he is forced to endure under the tutelage of the autocratic Dr. Terwilliker. Bart feels that his mother has fallen under Terwilliker's sinister influence, and gripes to visiting plumber August Zabladowski, without much result. While grimly hammering away at his lessons, Bart dozes off and enters a fantastical musical dream, in much the same fashion as The Wizard of Oz.
In the dream, Bart is trapped at the surreal Terwilliker Institute, where the piano teacher is now a madman dictator who has locked up all non-piano-playing musicians in a dungeon and constructed a piano so large that it requires Bart and 499 other enslaved boys (the aforementioned 5,000 fingers) in order to play it.
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I think that in 1953, movie audiences simply weren't ready for anything even close to this.
Jaw dropping isn't it? I have to wonder how audiences reacted to that in 1953. My guess is that it was something like the scene in "The Producers" after the "Springtime for Hitler" number.
And then there is the memorable ride in the Dungeon Elevator:
Sunday, December 14, 2008
Wednesday, November 5, 2008
Bad Guys Fall in Poop
Yesterday we won, today we gloat, tomorrow we work.
Update 11/18 - OK, one more time for Senator Ted Stevens (R-Prison).
Tuesday, October 7, 2008
Sarah Palin at the Bridge of Nowhere
Palin: Ask me the questions, bridgekeeper. I am not afraid.
Bridgekeeper: What... is your name?
Palin: My name is Sarah Palin.
Bridgekeeper: What... is your quest?
Palin: To seek the office of Vice President of the United States.
Bridgekeeper: What... is your favourite newspaper?
...long pause..
Palin: AHHHHHHHHHHH!!!!!!!!
Saturday, September 27, 2008
Sunday, September 21, 2008
Top 12 Movie Signs that a Cult is Evil
- High Priest/Ruler has a beard, but no moustache
- Altar is constructed of human skulls
- Stone/Gold idol has more than one head
- Headgear has horns.
- Big production number with dancing girls
- Crystal Ball can pan and zoom
- Temple is built on volcano
- Collars are higher than head
- Enormous Gongs
- Bush/Cheney bumper sticker is still on chariot
- Sweaty, shirtless henchmen
- Church has dungeons, trap doors and secret passages
Wednesday, August 6, 2008
How does Klaatu live so long?
Anybody want to guess the cause of death for the "3rd class witchdoctor"?
Friday, August 1, 2008
Here's the plan: First we get captured...
This seems to be one of the most common plot devices for espionage and sci-fi series episodes and movies. Why don't villains recognize that their plans for global/galactic/universal domination would almost always succeed if they did NOT capture their opponents? There is a near 100% probability that they will escape and find the nuclear self destruct button or functional equivalent. This is greatly assisted by corridors in their starship/skull cave/headquarters that are designed to allow maximum concealment and recruitment of henchmen with very restricted vision. Sunday, July 27, 2008
Ship of Monsters
Exerpt from "La Nave De Los Monstruos" (Ship of Monsters). A classic Mexican Horror/SciFi/Singing Cowboy/Comedy
Monday, July 21, 2008
Tuesday, July 1, 2008
Wednesday, June 18, 2008
Sunday, January 20, 2008
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